Las óleos de todo LIPPI, Fra Filippo
ID Image  Painting (From A to Z)       Details 
7933  
LIPPI, Fra Filippo, Adoration of the Child with Saints g
  		 Adoration of the Child with Saints g   c. 1463 Tempera on wood, 140 x 130 cm Galleria degli Uffizi, Florence
7934  
LIPPI, Fra Filippo, Adoration of the Child with Saints gfg
  		 Adoration of the Child with Saints gfg   1460-65 Panel, 146 x 157 cm Civic Museum, Prato
7935  
LIPPI, Fra Filippo, Circumcision GGH
  		 Circumcision GGH   1460-65 Panel, 188 x 164 cm Santo Spirito, Prato
7929  
LIPPI, Fra Filippo, Disputation in the Synagogue (detail) dg
  		 Disputation in the Synagogue (detail) dg   1452-65 Fresco Duomo, Prato
7930  
LIPPI, Fra Filippo, Disputation in the Synagogue (detail) sd
  		 Disputation in the Synagogue (detail) sd   1452-65 Fresco Duomo, Prato
7928  
LIPPI, Fra Filippo, Disputation in the Synagogue (detail) sg
  		 Disputation in the Synagogue (detail) sg   1452-65 Fresco Duomo, Prato
7927  
LIPPI, Fra Filippo, Disputation in the Synagogue sg
  		 Disputation in the Synagogue sg   1452-65 Fresco Duomo, Prato
43724  
LIPPI, Fra Filippo, King Midas Judging the Musical Contest between Apollo and Pan
  		 King Midas Judging the Musical Contest between Apollo and Pan   Oil on copper, 13 x 21 cm
7936  
LIPPI, Fra Filippo, Madonna and Child eh
  		 Madonna and Child eh   1460s Panel, 75 x 53 cm Alte Pinakothek, Munich
43861  
LIPPI, Fra Filippo, Madonna in the Forest
  		 Madonna in the Forest   c. 1460 Oil on panel, 127 x 116 cm
7932  
LIPPI, Fra Filippo, Madonna in the Forest (detail) dg
  		 Madonna in the Forest (detail) dg   c. 1460 Oil on panel Staatliche Museen, Berlin
7931  
LIPPI, Fra Filippo, Madonna in the Forest f
  		 Madonna in the Forest f   c. 1460 Oil on panel, 127 x 116 cm Staatliche Museen, Berlin
7937  
LIPPI, Fra Filippo, Madonna with the Child and two Angels g
  		 Madonna with the Child and two Angels g   1465 Tempera on wood, 95 x 62 cm Galleria degli Uffizi, Florence
7926  
LIPPI, Fra Filippo, St Stephen is Born and Replaced by Another Child (detail) sf
  		 St Stephen is Born and Replaced by Another Child (detail) sf   1452-65 Fresco Duomo, Prato
LIPPI, Fra Filippo
Italian Early Renaissance Painter, ca.1406-1469 Filippo Lippi was born in Florence. He took his vows in 1421 in the monastery S. Maria del Carmine, where Masaccio frescoed the Brancacci Chapel in the church (1426-1427). By 1430 Lippi is mentioned in church documents as "painter." Masaccio's influence, as well as Donatello's, can be seen in Lippi's early works, such as the Tarquinia Madonna of 1437 (National Gallery, Rome) and the Annunciation (S. Lorenzo, Florence) and Barbadori Altar (Louvre, Paris), both begun in 1437/1438. However, the severity of Masaccio and Donatello was mitigated by Lippi, who was instrumental in salvaging from the Gothic past the lyrical expressiveness of a linear mode which Masaccio had all but given up for modeling in chiaroscuro. Toward the middle of the 15th century Lippi's pictures became more finely articulated and his surface design more complex. It is probable that he had a large workshop, and the hand of assistants may be observed in the important fresco decoration started in 1452 in the choir chapel of the Prato Cathedral. After delays and strong protests this commission was finally completed in 1466. The cycle, a highly important monument of Early Renaissance painting, demonstrates Lippi's increasingly more mature style, revealing him to be witty, original, and well versed in all the artistic accomplishments of his time, to which he himself contributed. Through linear perspective Lippi was able to render a convincing illusion of recession and plausible three-dimensional figures. He knew how to express emotions, and he was a keen observer of nature. Lippi painted astonishing portrait likenesses and combined figures and space with an animated surface rhythm, the best example of which can be seen in the Feast of Herod, one of the last scenes in the Prato cycle. During his stay at Prato he was the cause of a scandal (later resolved by papal indulgence): he ran off with a nun, Lucrezia Buti, who bore him two children, one of whom, Filippino Lippi (ca. 1457-1504), was also a painter. In the Prato frescoes as well as in his contemporary panel pictures, such as the Madonna with Two Angels (Uffizi Gallery, Florence), or in the exquisite tondo of the Madonna (Pitti Palace, Florence), Filippo Lippi anticipated later developments in 15th-century painting. In these pictures are to be found the sources of Sandro Botticelli, Lippi's most illustrious pupil. Lippi's innovations extended also to iconography. In his quest for realism he introduced the "bourgeoise" Madonna: the type of contemporary Florentine lady elegantly dressed in the fashion of the time with the hair on her forehead plucked to stress the height of it. He also introduced the subject of the Madonna adoring the Child in the woods (Museum of Berlin, and Uffizi, Florence).



Sweden Wholesale Oil Paintings, Stretcher Bars, Picture Frames & Beveled Mirrors